Archive for the ‘Africa’ Category

2016 Rio Olympics - Athletics - Final - Women's 100m Final - Olympic Stadium - Rio de Janeiro, Brazil - 13/08/2016. Shelly-Ann Fraser-Pryce (JAM) of Jamaica celebrates after winning the bronze medal after the 100m womens final. REUTERS/Kai Pfaffenbach FOR EDITORIAL USE ONLY. NOT FOR SALE FOR MARKETING OR ADVERTISING CAMPAIGNS.

2016 Rio Olympics – Athletics – Final – Women’s 100m Final – Olympic Stadium – Rio de Janeiro, Brazil – 13/08/2016. Shelly-Ann Fraser-Pryce (JAM) of Jamaica celebrates after winning the bronze medal after the 100m womens final.

              She is called the Pocket Rocket, the Jamaican athlete who hails from Wolmer’s Girls High school burst on the scene in 2008 when she won her 1st Olympic gold medal which would be the beginning of a career that included 4 World Championships and 2 Gold medals  (making her the undisputed 100m track queen of her generation). All of this success for a woman sprinter was already historic. Throughout this period her contagiously wonderful smile, humble spirit and constant positive Christian references made her a fan favourite.

            Coming into the Rio Olympics  there was a lot of hype to the fact that she could do what no woman in history has ever done and that is win the Olympic gold a 3rd time. Fraser-Pryce had made the Jamaica Olympic team, however she was injured, she had suffered a toe injury earlier in the year and many thought she would not have made it to Rio. She even won her heats and the semi-final, however when she completed the Semi-final she was clearly in pain, so much show she bent over crying. She had to be helped off the track. The pressure was on.

              Then came the final. Shelly burst out of the blocks, a bit slower than her norm, ten seconds later she crossed the line 3rd with her teammate Elaine Thompson from Jamaica coming in 1st. Fraser-Pryce ran through the pain to achieve the medal. Although clearly disappointing Fraser-Pryce showed amazing grace by immediately hugging the winner in what seemed an  extremely sincere embrace and celebrating with her. She even stated later that this was her favourite medal for all that she had to battle to achieve this.

               By coming 3rd Fraser-Pryce has exhibited the best of the human spirit in such a situation. She already was a legend for all she had done, now she has taken everything to another level. Thank you Shelly-Ann Fraser-Pryce. Here is more of what she said after the race.

“Jamaica is officially on the medal count! The ceremony for the 100m final will be at approximately 7:15pm……
When God remains faithful and gave you more than you could ask for. We don’t get To pick our battles and that’s ok. But you get to give it everything you have. My greatest accomplishment Is showing up at that line and feeling thankful for the opportunity. I witness Elaine taking her moment and I’m happy because she deserves it, A time and season for everyone so take your bow. It will be a pleasure to stand on the podium with you. To my family both in blood and in Christ, Your prayers were my strength and your belief carried me the extra mile. I could not quit because it’s not in me. In the good and the ugly, I will always show up. To my sponsors, thank you for standing with me. My friends and my fans, you never stopped believing so why should I. Sometimes when we believe we have something to lose we actually have everything to gain. It was a ‪#‎PrycelessJourney‬!”

  • Shelly-Ann Fraser-Pryce

Answer the question below

SkyWalker Buzz and 2BKaribbean would like to give you an opportunity to win a pair of tickets to see two of the most talented artist musicians in Reggae music Tarrus Riley and the Legend Dean Fraser, in Atlanta Thursday night at Center Stage, 1375 West Peachtree St Atlanta Ga

 

To win you need to answer this question, by midnite Wednesday the 20th

“What instrument did Dean Fraser start playing at the age of 12” 

The 1st person with the right answer will be asked to send contact info and will get the pair of tickets to you. Enjoy!

marcus_garvey_0822

TODAY IS MARCUS GARVEY’S BIRTHDAY, in the face of all that has been occurring (police brutality against brown and black people, institutional racism and all other forms of oppression) the words of MARCUS MOSIAH GARVEY can help us in our quest for change.

 

“One God One Aim One Destiny”

 

Short Overview from Jamaica Information Service.

 

– Jamaica’s first National Hero was born in St. Ann’s Bay, St. Ann, on August 17, 1887. In his youth Garvey migrated to Kingston, where he worked as a printer and later published a small paper “The Watchman”.

 

During his career Garvey travelled extensively throughout many countries, observing the poor working and living conditions of black people.

 

In 1914 he started the Universal Negro Improvement Association (UNIA), in Jamaica. The UNIA, which grew into an international organisation, encouraged self-government for black people worldwide; self-help economic projects and protest against racial discrimination.

 

In 1916, Garvey went to the USA where he preached his doctrine of freedom to the oppressed blacks throughout the country.

 

However, USA officials disapproved of his activities and he was imprisoned, then deported.

 

Back in Jamaica in 1927, he continued his political activity, forming the People’s Political Party in 1929. He was unsuccessful in national elections but won a seat on the Kingston and St. Andrew Corporation (KSAC).

 

But the world of the 1930s was not ready for Garvey’s progressive ideas. He left Jamaica again, this time for England where he died in 1940. His body was brought back to Jamaica in 1964 and buried in the National Heroes Park in Kingston.

 

Garvey’s legacy can be summed up in the philosophy he taught – race pride, the need for African unity; self-reliance; the need for black people to be organised and for rulers to govern on behalf of the working classes.

WIN TICKETS TO THIRD WORLD & MAXI PRIEST

BE THE 1ST ANSWER THE QUESTION BELOW THE FLYER BY 5:00PM TODAY EST 16/AUG/2014 CORRECTLY

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Third World Maxi Priest

QUESTION: “THIRD WORLD HAS HAD A FEW LEAD SINGERS OVER THE YEARS. ONE HAD A NICKNAME THAT IS A VEGETABLE, WHAT IS HIS FULL NAME AND NICKNAME?”

SUNDAY, AUGUST 17, 2014
NBAF Global presents
THIRD WORLD  ||  MAXI PRIEST 
and JULIE DEXTER 
@
THE TABERNACLE
152 Luckie Street ~ Atlanta, GA
6pm
Tickets start @ $15, VIP tickets available
Purchase tickets online @ 

 

Emancipation Park statues representing Africans looking to the sky after Emancipation declared throughout the British Empire in 1834

Emancipation Park statues representing Africans looking to the sky after Emancipation declared throughout the British Empire in 1834

(I originally wrote this piece a few years ago, still seems to make sense to me)

By Jason Walker

Emancipation day is an important day for the descendants of Africa, especially those whose ancestors were impacted by the brutal Slave trade. In the 1800’s the holocaust of slavery was hit with a crippling blow around the world. The Emancipation Act was passed on July 31, 1834 throughout the British Empire and effectively ended the inhumane Slave Trade. Full freedom from slavery did not come until four years later on August 1, 1838.  The 4 year period was instituted as a transition period as this monumental change would irrevocably change societies worldwide. The abolition of Slavery in the British Empire would affect slavery everywhere mainly because Britain’s navy owned the seas and without the cooperation of the British Navy, it made slavery both difficult and expensive. And as destructive, dehumanizing and inhumane the European version of the system of slavery was; it was for all intents and purposes an economic manifestation.

Slavery was a cruel and destructive system that had Africans as free labourers in labour intensive industries such as Cotton, Sugar and Tobacco. Throughout the 1400’s through to the middle of the 1700’s products such as these fetched a very attractive price, along with the free labour, a tidy profit could be made. Although labour was free, the cost to keep Africans enslaved was high. Especially in areas where there were slaves freeing themselves and staging revolts. The most successful of these of course included the Maroons in Jamaica from the 1500’s through to the 1700’s and even more so the Africans (including Maroons) in Haiti who at the end of the 1700’s would successfully wage a revolution against French armies, supported by Spain and England.

Do not think though that the Emancipation act came about from any suddenly altruistic gestures by the British Monarchy. Due to the work of many abolitionists in Britain; the sentiment against the horrific system Slavery had grown tremendously among the English population. Also the prices of the aforementioned products began to drop on the world markets as new products that did not need this labour intensive situation were now rising to prominence. Along with that came the advent of the industrial age which was ushering a new era where such labour numbers were not the order of the day. All the aforementioned along with the cost of keeping control and responding to revolts made these endeavours non-attractive. Continuing the genocidal and devastating system Slavery no longer made economic sense.

As we come to the present, we find that it is only in the past two decades that countries have decided to mark this date as a holiday, and of the countries that were affected by this act (Countries in Africa, The Caribbean, Central America, South America, & North America) a small percentage actually commemorate this day*. Maybe that is appropriate; I say this because although things are different from the era of slavery, people of African descent in the aforementioned geographical areas are not in a position of true emancipation.

The definition of Emancipation from the English Oxford Dictionary states that it is “the fact or process of being set free from legal, social, or political restrictions; liberation:” With the majority of African persons in these areas lacking resources, political clout, and in some cases freedom, can we really call ourselves emancipated? It was probably this same observation that led former Prime Minister of Jamaica and former leader of the Non-Aligned Movement (a coalition of countries that were not listed as industrial nations) Michael Manley to say; “The enslavement of the body which endured till 1838 was nothing compared to the enslavement of the mind which persisted since”. The affects of slavery and the propaganda to support slavery has endured and left a lasting mark and has conspired to keep those of African descent in such a position.

Yet by our accomplishments singularly and in some rare cases collectively we see we are a very powerful people. So it is possible to change the current existence. However we will probably have to do what Reggae Superstar Bob Marley said in his song Redemption Song: “Emancipate Yourself From Mental Slavery” before we can truly be at a stage of Emancipation. So although we celebrate the Act that saw fruition on August 1 1838 annually, we should probably use these days to see where we are on the road of getting to the next stage of Emancipation and be creative in getting to that new stage.

*Countries that Celebrate Emancipation Day include: Jamaica, Barbados, Bermuda, Bahamas, St. Lucia, Canada, Guyana, St. Vincent & the Grenadines, Grenada, Trinidad & Tobago, Turks & Caicos, Anguilla, British Virgin Islands, Dominica, St. Kitts & Nevis

Marley-StephenSTEPHEN MARLEY

HERE IS AN EXCERPT OF AN INTERVIEW I DID FOR CARIBBEAN TODAY MAGAZINE. WHICH WAS ALSO AN EXCERPT OF A MUCH LONGER INTERVIEW, WHICH I PROMISE TO PUBLISH IN FULL IN THE FUTURE.

STEPHEN MARLEY TALKS TO JASON WALKER

Stephen Marley is one of the most successful and decorated artistes and producers around. He is the son of late reggae king Bob Marley and a member of the Melody Makers, the group his father started with his siblings.

“Ragga” Marley runs the Ghetto Youths International (GYI) label where he produces music for himself and other artistes, including his brothers Damian and Julian, along with Wayne Marshall. Stephen holds the record for the most reggae album Grammy award wins – three with Melody Makers.

 

Caribbean Today freelance writer Jason Walker recently caught up with Stephen Marley. The following is an edited version of that interview.

 

Jason Walker: Tell us about GYI.

 

Stephen Marley: Well GYI is a label whey we form that consists of Damian, Julian, Stephen (Marley) and then you have youth like Black Am I, Jo Mersa (Stephen’s son), and Wayne Marshall who just joined the force and we a build; we building.

 

J.W: Tell us how it got started?

 

S.M.: Ghetto Youth United (GYU) is something (eldest brother) Ziggy Marley had started with myself, where we were producing and releasing records for the youth dem in the ghetto of Jamaica. From that now I man had branched off with GYI. It was a platform where if artistes in Ghetto Youth United were doing well would be pushed up to the more upstream label, which was GYI, where we could spread out our wings a little more. That was the whole concept of the label.

 

J.W.: Tell us more about the artistes on GYI.

 

S.M.: GYU was more of a mass thing; maybe 10 or 15 youth would come to the studio and they would have their songs and

 

we would have our riddims. That was going on in the late ‘80s and early ‘90s. Now when we are concentrating on being a label, that is when we came up with GYI and that is where we really started to take on artistes. In the beginning it was myself, Damian and Juju (Julian).

 

J.W.: How are artistes evolving at the label?

 

S.M.: Damian a start from a little youth to now where he is taking on artistes and producing. We are a house of music; really that is what it is. When you come amongst us, you are definitely going to grow. I live at the studio; that is my home. We live this, we don’t just talk this and prepare like a job. We live this.

 

J.W.: Tell us about your evolution.

 

S.M.: Well, the whole evolution, we started in 1979 when we released our first official record as the Melody Makers (“Children Playing In the Streets”). We started from then on a professional journey and a profession career, that is what we did.

 

We were privileged to be around great musicians and great artistes helping to raise the bar. We have to exist! It couldn’t be just because we are Bob and Rita youth and we are singing. We went through all of that. We have to prove that this is what we were meant to do.

 

The evolution came from there and then I started doing a little production with my grandmother and then I started slowly taking on my younger brothers. They nurtured me as much as I had to nurture them. All of my elders Ziggy, Cedella, Sharon etc. gave me the guidance necessary to be as strong as we can be.

 

They are always there when we need them. All of those things we take and move forward to today, where I have two solo albums and I am looking to come with a third, Damian gone three and looking to come with a fourth and Julian likewise.

 

J.W.: You have been an artiste, producer, performer, label owner and manager. Which role do you enjoy the most?

 

S.M.: I man is a skipper, in that sense. I was born in April. April is from the tribe of Reuben. In the Bible Reuben was the first son of Jacob, so I man is a general like that. Is a natural thing, I do not have any position. I cook, clean, wash, sing and do everything, anything that is to be done. I man is the man.

 

J.W.: Tell about the music coming from GYI.

S.M.: There was the Set Up Shop compilation, which summed up all the artistes on the label – myself, Julian and Damian. Then it had Wayne Warshall,,,,,,, (Read the rest of the article here http://caribbeantoday.com/entertainment/item/17901-musical-weapon-stephen-marley-armed-and-fighting-the-revolution.html)

Art Piece by Legagnour

Art Piece by Legagnour

Caribbean Fantastic Brings Haitian Spice To Art Basel In Miami-3rd of December to the 2nd of January

There is about to be a dramatic injection of spice and diversity into Art Basel, one of the most popular Art events that occur in the United States, with the introduction of world renowned, critically acclaimed and gorgeous art. Art Basel draws tens of thousands of persons from inside and outside of Miami. However although the event has been around for 40 years, it is not known for showcasing artists or art that come from the African Diaspora.

Fortunately this has been changing recently with the efforts of several people and organizations. Multitudes Contemporary Art Gallery owner and curator Babacar Mbow is committed to bringing forth some of that change. Mbow has a highly acclaimed, diverse and longstanding career in education and art and is uniquely equipped to source and present art from the African Diaspora.  This year’s exhibition will focus on Haiti. Haiti is the country that 1st represented African freedom and independence and the beginning of the end to slavery in the Western Hemisphere, and hence a source of great inspiration for artists. This works perfectly as South Florida has a large Haitian population and by extension a large Caribbean population.

The change towards greater diversity will go into high gear with this exhibition called “Caribbean Fantastic” that runs from the 3rd of December 2013 to the 2nd of January 2014 at the Multitudes Contemporary Art Gallery. Caribbean Fantastic features the works of the extremely talented and exciting Jean Claude Legagneur. Jean Claude Legagneur is a very successful artist whose critically acclaimed works have been seen in places like New York, South Florida, DC, Tokyo, Port-Au-Prince and Santo Domingo. His monumental Mural adorns the American Airlines Terminal at John Fitzgerald Kennedy Airport in New York.

Jean Claude Legagneur is an integral part of African Diaspora history. Legagneur is a relentless painter that has produced a large treasure of artistic gems that has been moving people since 1963. Born in Haiti in 1947 Legagneur travelled to the United States at an early age and was soon working with some famous artists and would eventually make beautiful and engaging imagery for the world to see. Besides the positive accolades given earlier, Legagneur consistently received the descriptions of sensitivity and sincerity from the critics that have reviewed his works over the years.

Caribbean Fantastic takes this history and brings it forward and makes it relevant today. “Jean Claude Legagneur defies mainstream contemporary art’s boisterous claims and enters the realm of 21st century aesthetics”

Caribbean Fantastic runs from the 3rd of December to the 2nd of January during Art Basel at the Multitudes Contemporary Art Gallery. The opening reception for Caribbean Fantastic will be Wednesday the 4th of December at 7pm. The reception will be at the Multitudes Contemporary Art Gallery 5570 NE 4th Avenue Miami Florida 33137. For more information please call 954-338-8670 / 786-597-3042.  Media Contact: Harris Public Relations at 786.897.8854 or publicity@harrispublicelations.com

 

Caribbean Fantastic Schedule during Art Basel Week

Gallery 10am-11pm

Free and open to the public

December 4 : 7:30 PM-10 PM NIGHT OF HAITIAN DIPLOMACY : Opening Night

Under the patronage of the Consul General of Haiti in Miami , The Night of the Haitian diplomacy is at the heart of the dynamics of the new Cultural Diplomacy policy of the Haitian government. The presence of Haitian diplomats in the United States as well as those in the Caribbean and beyond is anticipated. With artists, Hollywood stars, great collectors and other guests of the city, this night will present Haiti in all its potentials.

December 5 : 8 PM-10 PM

Hollywood Artists United: An Evening with Jimmy Jean Louis

The actor who masterfully interpreted historical consciousness through Toussaint Louverture: The Battle of the Eagles is also a humanitarian whose work focuses on the construction and operation of a school in the Haitian countryside. This fund raising event will be attended by Hollywood stars with his fans and colleagues.

December 6 : 8 PM-10 PM CARIBBEAN LITERARY ART: LECTURE & BOOK SIGNING Caribbean Spaces: Escape from the Twilight Zones by Carole Boyce-Davies

Persuasive and comprehensive, Caribbean Spaces achieves an intriguing sequence of intricate journeys through Caribbean and African diasporic cultural spaces, political landscapes, historiographies, and literary-artistic terrains, each keenly observed.

 

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