Archive for the ‘Music’ Category

Jack Radics Tour dates

SOUND FACULTY PRESENTS THE JACK RADICS WATERSHED TOUR FEATURING:

 

JACK RADICS LIVE! with special guest Erica Newell & the BLACKDIAMOND Band

Here are the cities:

Friday the 20th of January – Da Real Ting Cafe” Jacksonville Florida. Showtime @ 1:00 AM

Saturday, the 21st of January – Ginger Bay Cafe Hollywood Fl Showtime @ 9:00 pm

jack-radics-live

Sunday, the 22nd of January – “Reggae Sunday’s at the Wynwood Yard Miami Fl showtime at 8:00pm

reggae-sundays-at-the-yard

Monday, the 23rd of January 2017 – “Bostons on the Beach” Delray Beach, Fl Showtime 8:00pm

Thursday the 9th of February – Club Euphoria Richmond Va 23225 Showtime 9:00pm

Friday the 10th of February – Milk River Restaurant Brooklyn NY Showtime 9:00pm

Saturday the 11th of February – Off the Tikki Patchogue, NY Showtime 11:00 pm

 

Sunday, the 12th of February – “The Shrine Music World” New York, NY Showtime 9:00pm

 

Thursday the 16th of February – The “Island Club” Athens GA Showtime 9:00pm

FOR MORE INFORMATION GO TOWWW.JACKRADICSONLINE.COM

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Answer the question below

SkyWalker Buzz and 2BKaribbean would like to give you an opportunity to win a pair of tickets to see two of the most talented artist musicians in Reggae music Tarrus Riley and the Legend Dean Fraser, in Atlanta Thursday night at Center Stage, 1375 West Peachtree St Atlanta Ga

 

To win you need to answer this question, by midnite Wednesday the 20th

“What instrument did Dean Fraser start playing at the age of 12” 

The 1st person with the right answer will be asked to send contact info and will get the pair of tickets to you. Enjoy!

Miami Broward One Carnival Celebrate 30 years of Carnival in South Florida

By Jason Walker

MIAMI BROWARD CARNIVAL CELEBRATES 30 YEARS

MIAMI BROWARD ONE CARNIVAL CELEBRATES 30 YEARS. PHOTO COURTESY OF MIAMI BROWARD ONE CARNIVAL

Miami Broward One Carnival reaches a major milestone in 2014. Three decades is a long time for any area not based in the Caribbean to host the largest physical manifestation of Caribbean culture: Carnival. The name Miami Broward One Carnival reflects the historic unification of two Carnivals that were staged for several years in close proximity in South Florida, on the same day at the same time. Both events drew thousands of people and had stage shows and bands.  The people, however, wanted one Carnival for the sake of unity, – everyone could partake in all that Carnival has to offer.

The vision of Carnival in South Florida 30 years ago has manifested itself into one of the most popular Caribbean events in North America. The Carnival even has hit songs that are about that Carnival, such as Alison Hind’s “Never Too Late For Carnival” featuring Trevor Offkey.

Joan Hickson is the chair of the organizing committee. Hickson thought back to “the first Carnival on NW 183rd Street.  I was a member of the St. Lucia Association of South Florida.  We became a band in the Carnival.  I was actually the Queen of the Band one year.  Since that time I have been involved in other bands – D’ Untouchables and D’ First Dimension.  I was on the Board of the South Florida Bandleaders Association and Caribbean American Carnival, which later became Miami Carnival Inc.  I have loved almost every minute of the last 30 years.  It is an accomplishment that we were able to overcome everything and all come together to continue this beautiful event”.

YOUNG ONE IN COSTUME FOR JUNIOR CARNIVAL

YOUNG ONE IN COSTUME FOR JUNIOR CARNIVAL

Hickson also demonstrated the importance of joining both Miami and Broward Carnivals; “it is very important for us to have only one Carnival in this region”, she cited.  “History has proven that we cannot afford more than one – financially, culturally or socially.  It was hard for both organizations; we were accustomed to our independence, but as leaders of our community it was the only choice and it was the right choice.”

Kathryn D’arcy is a director on the organizing committee. D’arcy shared that this year the “theme is a celebration of the 30th Annual Miami Carnival.  The first Miami Carnival was in 1985 in what is now the City of Miami Gardens.”

The late Selman Lewis took the helm of leadership in 1990 and with great fortitude, cunning, will power and strong support helped to guide the Carnival to be one of the most recognized in the world.

Miami Broward One Carnival by Walter Drayton

IMAGES FROM CARNIVAL IN SOUTH FLORIDA BY WALTER DRAYTON

Getting to the milestone of 30 years is very important and has been very difficult. The Carnival organizing committee has to make sure all facets of the very large event are taken care of, that there is buy in from the non-Caribbean community, the governing municipalities of South Florida, and the other Carnivals to avoid conflicting schedules. D’arcy shared that doing this “is a personal triumph because of my history with Miami Carnival.  I was not there in 1985, but I was in 1986 and every year since.  I’ve been a bandleader, a mas player, a competitor, an onlooker and an organizer of Miami Carnival.  I have seen and been a part of different facets of Carnival and from an organizational perspective I’ve seen every problem, every triumph over adversity – and there have been a lot of them.”

The Director of Marketing, John Beckford (formerly part of the Broward Carnival organizing committee), states that the Carnival means to him “embracing heritage and celebration of Caribbean arts and culture. It means food, drinks and music indigenous to the Caribbean. It means, getting together with friends and family if not for this one time each year…it means old man Winter is about to set in….” Hickson declares that, “I have loved almost every minute of the last 30 years.  It is an accomplishment that we were able to overcome everything and all come together to continue this beautiful event.”

For it to last this long and still grow and be relevant is admirable, the question as to how it has lasted so long was posed to Hickson.  She responded by saying “Our community loves Carnival.  No matter where we are from, we all had Carnival at home, so it’s natural to want to show our kids and teach them our culture.  Every year another thousand people discover Carnival and will bring their friends the following year.”

Broward Canrival

IMAGES FROM BROWARD CARNIVAL

Miami Broward One Carnival has left enduring memories for all, memories that have seared into people’s subconscious to become lasting life images. Board members shared some of their memories; Beckford shared his most enduring memory which was a “A quiet conversation with Selman Lewis two days before he died, about how unity of Miami & Broward carnivals was the right thing to do…. Selman….miss him….”; Hickson adds, “… the memories of Selman Lewis are there. We called him “The Runner” because the rest of the Board had specific responsibilities but he was, overall, responsible for everything.  Plus, Selman was too elegant to ever run. The name was our private joke.  I always loved seeing the Kings, Queens and Individuals on stage, especially when we did the show at the Coconut Grove Convention Center and they had a big stage to perform on.  The Junior Carnivals are good memories.  I loved it when the steelbands came from T&T and people just chipped along smiling and happy.” D’arcy remembers “Wet Mih Down” playing while masqueraders jumped up on stage in pouring rain in Miami Beach; sitting on the wall of Hialeah Park watching the masqueraders pass; the heat at  carnival parties in Studio 183 and Travelodge; Sherman Helmsley (“Mr. Jefferson”) jumping up on stage at the Convention Center; a City of Miami Policeman pushing pan on stage at Bicentennial Park; TanTan and Saga Boy at Pier 1 in Miami Beach; the perfection of D’ First Dimension Mas Band; all mas bands, steelbands, Junior bands and J’Ouvert bands that make up Carnival.”

The Carnival brings thousands of persons to South Florida consistently from across North and South America, the Caribbean, Africa and even Europe. It is a huge boost to the South Florida economy, a great plug for Florida tourism and a fantastic display of Caribbean Culture. Caribbean and Non-Caribbean people get engaged in the Carnival in diverse ways. They are not just standing on the sides and grooving to music anymore, they are becoming a part of the show joining bands, putting on costumes and fully becoming part of the Carnival. There are Caribbean and non-Caribbean people volunteering to help with the organizing of the Carnival. According to Beckford, “some embrace carnival and are curious of the diversity. Thanks to TV, Internet and World Travel, more non-Caribbean folks explore and embrace Carnival. Each year I see non-Caribbean numbers grow in attendance”

Kia Hidspire representing Grenada & St Lucia along with Nicole Williams representing Jamaica in Tribal Mas Band in the 2013 Miami Broward Carnival

Kia Hidspire representing Grenada & St Lucia along with Nicole Williams representing Jamaica in Tribal Mas Band in the 2013 Miami Broward Carnival

There are many aspects for people to enjoy and be engaged in. Patron and Reveller Nicole Williams who makes the trek from New York City states that “my favourite part would be the beginning when we start to march”; Miami Native Rhavi Bharath eloquently points out that “the Carnival bliss in that moment of sweet soca, alcohol, stunning women and scenic ecstasy was a time forever etched in my subconscious.” There are also masquerade bands that will travel thousands of miles to partake of Miami Broward One Carnival. Garth George and his Fusion Karnival Band out of New York is such band. According to Trinidad & Tobago born George Fusion Karnival masquerade band is one of the largest to come out of New York and he states that “Miami Broward (One) Carnival is the last bacchanal getaway of the summer before the main event in T&T to get ready again for another year”.

The Carnival engages various people in many areas. When asked about this phenomenon D’arcy expounds that “there are cashiers, Marshalls to direct the parade, people to work with the vendors, marketing needs people to service the sponsors, we have PR volunteers tweeting and instagramming at every event.  These are just some of the people who work with Carnival.  From an attendance point-of-view, it’s exciting to see the promise of diversity play out on our stage.  Every color, creed and race is on the road, but in addition the age differential is amazing in that nobody is too young or too old to play mas.  We have masqueraders in wheelchairs; we have LGBT masqueraders; anyone and everyone is welcome as a masquerader or attendee.  We are truly diverse and that is the true pageantry and spectacle of Carnival.”

Looking back at the three decades it is hard to separate Selman Lewis from the memories. Hickson shared that “Selman Lewis is the cerebral founder of Carnival.  The WIADCA Committee founded Carnival in 1985.  In 1990 Selman Lewis took the Carnival and dragged it to a higher level.  He formed alliances which brought Brooklyn and other cities to Miami in record numbers.  He started the Coconut Grove Convention Center parties.  He started doing a Carnival Launch.  He then started doing an Official Launch of Miami Carnival in T&T.  He was the brainchild behind the beautiful brochures which many Carnival produce.  He had a unique mind and the ability to communicate which allowed him to dominate every meeting and every group, and to get people to agree with his viewpoints.  He formed the first “Junior Board” with the intent of having a group of younger people to take over Carnival.  His policies and procedures are still used today.  He was a Carnival Genius.”

Miami Broward One Carnival celebrating 30 years should be a powerful display of Caribbean culture, expression and, yes, unity. The Carnival will be in two parts the Miami Broward Junior Carnival will be held on Sunday, October 5, 2014 at the Central Broward Regional Park & Cricket Stadium (3700 NW 11th Pl, Lauderhill, FL 33311) and on Sunday, October 12, 2014 there will be the staging of the Miami Broward Parade of Bands, 30 Years Celebration at the Miami-Dade County Fairgrounds, 10901 Coral Way, Miami, Fl 33165. For more information visit www.miamibrowardcarnival.com.

Jason Walker is a freelance writer for Caribbean Today Magazine who has had an award winning journalism career that spans 20 years. He can be followed on twitter at www.twitter.com/jasonwalker_ or emailed at jasonarticle@gmail.com

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Trinidadian Born Miami Native Rhavi Bharath with fellow Masquerader overlooking Biscayne Bay in Miami

Marley-StephenSTEPHEN MARLEY

HERE IS AN EXCERPT OF AN INTERVIEW I DID FOR CARIBBEAN TODAY MAGAZINE. WHICH WAS ALSO AN EXCERPT OF A MUCH LONGER INTERVIEW, WHICH I PROMISE TO PUBLISH IN FULL IN THE FUTURE.

STEPHEN MARLEY TALKS TO JASON WALKER

Stephen Marley is one of the most successful and decorated artistes and producers around. He is the son of late reggae king Bob Marley and a member of the Melody Makers, the group his father started with his siblings.

“Ragga” Marley runs the Ghetto Youths International (GYI) label where he produces music for himself and other artistes, including his brothers Damian and Julian, along with Wayne Marshall. Stephen holds the record for the most reggae album Grammy award wins – three with Melody Makers.

 

Caribbean Today freelance writer Jason Walker recently caught up with Stephen Marley. The following is an edited version of that interview.

 

Jason Walker: Tell us about GYI.

 

Stephen Marley: Well GYI is a label whey we form that consists of Damian, Julian, Stephen (Marley) and then you have youth like Black Am I, Jo Mersa (Stephen’s son), and Wayne Marshall who just joined the force and we a build; we building.

 

J.W: Tell us how it got started?

 

S.M.: Ghetto Youth United (GYU) is something (eldest brother) Ziggy Marley had started with myself, where we were producing and releasing records for the youth dem in the ghetto of Jamaica. From that now I man had branched off with GYI. It was a platform where if artistes in Ghetto Youth United were doing well would be pushed up to the more upstream label, which was GYI, where we could spread out our wings a little more. That was the whole concept of the label.

 

J.W.: Tell us more about the artistes on GYI.

 

S.M.: GYU was more of a mass thing; maybe 10 or 15 youth would come to the studio and they would have their songs and

 

we would have our riddims. That was going on in the late ‘80s and early ‘90s. Now when we are concentrating on being a label, that is when we came up with GYI and that is where we really started to take on artistes. In the beginning it was myself, Damian and Juju (Julian).

 

J.W.: How are artistes evolving at the label?

 

S.M.: Damian a start from a little youth to now where he is taking on artistes and producing. We are a house of music; really that is what it is. When you come amongst us, you are definitely going to grow. I live at the studio; that is my home. We live this, we don’t just talk this and prepare like a job. We live this.

 

J.W.: Tell us about your evolution.

 

S.M.: Well, the whole evolution, we started in 1979 when we released our first official record as the Melody Makers (“Children Playing In the Streets”). We started from then on a professional journey and a profession career, that is what we did.

 

We were privileged to be around great musicians and great artistes helping to raise the bar. We have to exist! It couldn’t be just because we are Bob and Rita youth and we are singing. We went through all of that. We have to prove that this is what we were meant to do.

 

The evolution came from there and then I started doing a little production with my grandmother and then I started slowly taking on my younger brothers. They nurtured me as much as I had to nurture them. All of my elders Ziggy, Cedella, Sharon etc. gave me the guidance necessary to be as strong as we can be.

 

They are always there when we need them. All of those things we take and move forward to today, where I have two solo albums and I am looking to come with a third, Damian gone three and looking to come with a fourth and Julian likewise.

 

J.W.: You have been an artiste, producer, performer, label owner and manager. Which role do you enjoy the most?

 

S.M.: I man is a skipper, in that sense. I was born in April. April is from the tribe of Reuben. In the Bible Reuben was the first son of Jacob, so I man is a general like that. Is a natural thing, I do not have any position. I cook, clean, wash, sing and do everything, anything that is to be done. I man is the man.

 

J.W.: Tell about the music coming from GYI.

S.M.: There was the Set Up Shop compilation, which summed up all the artistes on the label – myself, Julian and Damian. Then it had Wayne Warshall,,,,,,, (Read the rest of the article here http://caribbeantoday.com/entertainment/item/17901-musical-weapon-stephen-marley-armed-and-fighting-the-revolution.html)

WYLCEF JEAN SITS WITH JASON SKYWALKER ON CROSSOVER MEDIA

Wyclef Jean and Jason Sky Walker

Wyclef Jean and Jason Sky Walker by Tiffanny Stennett

          Jason Sky Walker had a sit down with hip hop legend and superstar Wyclef Jean for Cross Over Media TV. On this archived podcast the producer, artist, politician, and author speaks on many topics including the Haiti earthquake, his career, the Fugees, his book, family and more.

          Play the video to watch this interview from one of the most talented and successful artists to come from the Caribbean. Please feel free to comment and give feedback.

Jamaica's Tessanne Chin winner of the 2013 season of the Voice

Jamaica’s Tessanne Chin winner of the 2013 season of the Voice

TESSANNE CHIN win’s NBC’s The Voice representing Jamaica well with Excellence, Quality, and Humility.

TESSANNE CHIN WINS NBC’S THE VOICE

By Jason Walker

Tessanne Chin made history Tuesday night December 17 when she became the first Jamaican and the 2nd Caribbean person (Melanie Ann Amaro whose parents were from the British Virgin Island won  X-Factor in 2011) to win a USA mainstream singing talent competition by winning NBC’s The Voice. Not only did she make history in that regard but also some of the activity that was occurring around her appearances on the Voice.

For several weeks Jamaicans in Jamaica and around the world along with Caribbean people mobilized to support Tessanne in her bid to win the reality show competition. The feeling that was created for Jamaicans everywhere mirrored the emotions that Jamaicans felt when Jamaica’s Football team the Reggae Boyz had qualified for the finals of the World Cup in France in 1998, the Success of the 2008 Track and field Olympic team in Beijing, and Jody-Ann Maxwell becoming the first non-American to win the Spelling Bee Competition at age 12 (1998) to name a few memorable events. All these events including Tessanne’s victory had Jamaica on display showing Jamaicans in a very positive light and united Jamaicans. Jamaicans behaved in a manner that demonstrated that they felt all the aforementioned achievers were a part of their extended family.

Tessanne’s victory had all the characteristics of all the previous historic moments but this moment had an added and very engaging feature and that was the high level of interaction that Jamaicans had with Tessanne being on The Voice. In order to win the contestant had to not only win over the judges perspective of their talent but also had to then convince those watching to vote for them as the best and to buy the songs that were performed each week. The votes and sales would establish the winner of the competition.

Jamaicans, Caribbean people and those who love Jamaica spread the word, mobilized and got people involved to vote and buy songs. It started out slow as in the beginning her sales were not that strong and one week she was in the lower end and had to be saved to be kept in the competition. Eventually, especially after singing “Many Rivers To Cross” by Jimmy Cliff, Tessanne began to surge ahead with voting and sales of her songs on Itunes. Jamaicans, Caribbean people and her supporters were hitting social media heavily, hosting watch parties in cities throughout the Jamaican Diaspora and they were encouraging people to buy her music. The fact that votes and purchases from outside the United States did not count did not deter Jamaicans in Jamaica and the non-US Diaspora as they mobilized family and friends in the US and kept up the powerful social media campaigns.

The groundswell of the grassroots mobilization led to Tessanne being featured in main stream outlets in the US which led to creating new fans and more support. The timing and choice of songs by celebrity coach Adam Levine and of course Tessanne’s powerful voice with an amazing vocal range once heard enthralled large crowds of new fans.

Some defining moments included her audition where in a very dramatic way all four celebrity judges gave her instant approval (a rare feat) in record time. Other defining moments that followed included:

  • Winning the 1st round battle with Ms Donna
  • Coverage of her husband, Mother, Father, sister and brother-in-law at the event
  • Singinig “Many Rivers To Cross” by Jimmy Cliff (led to strong sales)
  • Performing No doubt & Lady Saw’s “Underneath It All” (Injected new energy into her growing fan base)
  • Singing Simon & Garfukel’s iconic “Bridge Over Troubled Waters” (showcasing her ability to master complex songs, her vocal range and endearing her to the mainstream US audience)
  • Singing Whitney Houston’s “I Have Nothing” (Slam dunk! Proved she could stand with the greats)

The last two songs went to number one on the I-Tunes chart and since sales of each song in the top ten represented 5 votes these songs helped her surge ahead.

Throughout the competition not only was her heavenly voice on display but her humility and loving spirit. Tessanne the daughter of two musicians and the younger sister of a very popular artist in Jamaica (Tami Chynn) had not enjoyed major success since she began her career. The Chins had moved to England when she was younger (she is now 28) and at around 16 she returned to Jamaica. The audience would learn she was always singing and once she arrived in Jamaica she tried to make a career of it. Tessanne would come to focus on a fusion of Reggae and Rock and created a small cult following for this. All would agree that her voice was majestic, one of the best in Jamaica, even the Caribbean. There were comparisons to a young Aretha Franklin and more.

However there was not much Commercial success. She would be chosen by Reggae Legend Jimmy Cliff to back him on tours and eventually by Shaggy to collaborate on several projects that he was doing. In all these areas her voice shined. So it was probably a no brainer when Shaggy, who had signed Tessanne to his new label Ranch Entertainment, had lobbied for Tessanne to be on the Voice, and the timing could not have been better since Tessanne was beginning to have doubts about the economic sustainability of her career.

Tessannes performance will now go down in the annals of Jamaican music history, according to the host of the show the amount of voting and sales of songs were at record levels. The winner gets a record deal and of course instant fame. Tessanne performed at the highest level and won, she did this while showing great humility and poise and inspired a movement of mobilization that could be compared to the 2008 mobilization that helped President Barack Obama win his 1st Presidential election.

Jason Walker is a freelance writer for Caribbean Today Magazine who has had an award winning journalism career that spans 20 years. He can be followed on twitter at www.twitter.com/jasonwalker_ or emailed at jasonarticle@gmail.com

Photo Image Courtesy of Corey Hamilton

Ted Lucas

Ted Lucas

Ted Lucas Foundation Honors Pioneering Individuals At Holiday Reception

Miami, Fl- Music Philanthropist and Hip-Hop Success story, Ted Lucas and the Ted Lucas Foundation launched the Don’t Stop The Music Campaign and will honor individuals who have successfully created platforms to foster instrumental music education at his fourth annual holiday party on Thursday, December 5, 2013 in the Fusion Mia tent during Art Basel. Red carpet arrivals will take place at 5:45pm-6:30pm. Music will be powered by Lucas’ label Slip-N-Slide Records, new classically trained R&B singer and songwriter Sebastian Mikael who will perform at 8pm. Walmart will make a check presentation the honorees that include: Amy Rosenberg, Founder Overtown Music Project; Abebe Lewis-Circle House Studios and Maestro Edward Marturet- Miami Symphony.

Music has always been a passion of Lucas and is the catalyst of his successful career in the music industry at the helm of his independently-owned Slip-N-Slide Records. A South Florida native, Lucas has been responsible for selling over 16 million albums. However he credits his greatest achievements to his involvement with charitable organizations focusing on children and his community.

Music builds character and confidence for our young people, expands their outlook and helps them to navigate a path to success in life. I am proud to provide support and celebrate the work of these individuals and their organizations who are leading the efforts to fill the gap of music instruments that have been taking out of schools”, states Lucas.

Lucas will focus the  Don’t Stop the Music campaign on lending support to organizations in addition to spearheading initiatives to providing access to instruments for young people in South Florida.

For more information on the Ted Lucas Foundation, please contact visit www.tedlucasfoundation.com. Media inquiries: Harris Public Relations at 786.897.8854 or publicity@harrispublicrelations.com

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